Chicken Enchilada Pinwheels - Cheryl’s Favorite Food Memories

Christmas and Family celebrations My family is huge. Mom has siblings, Dad’s had 5 kids, and everyone had kids and so on and on. So when we would gather there would be food and more food. Scott and I moved away and we rarely got to go back for these massive celebrations but we gathered more family (by friendship) and shared the seasonal celebrations and feasts. One year I was looking for easy finger food for one of these gatherings and came across these chicken enchilada pinwheels. My boys loved them, especially my oldest. He would not merely eat them as a snack, he would make his own “burrito” out of the filling and make it a meal. There was a point that I made him his own bowl so that I actually had the ones for the party. They are so simple and yummy. They bring back times with family by friendship and little boys running a muck in the house. I hope you enjoy them too!

CHICKEN ENCHILADA PINWHEELS INGREDIENTS 

3 whole chicken breasts 

4 ounce chopped green chili peppers 

4-ounce can shopped black olives chopped 

A couple tablespoons of salsa (We like VERDE) 

16 ounces cream cheese softened -I use the whipped cream cheese 

1 ½ cup shredded sharp cheddar (I use Vermont extra sharp) 

1 cup shredded pepper Jack (the jalapeño type not bell) 

1 to 2 packages 10 inch flour tortillas

CHICKEN PREPARATION: Rinse the chicken and pat dry. 

Poach in water just covering chicken in a saucepan until tender; drain. (We’ve also use oven baked chicken breasts or sometimes leftover grilled.) 

Chop in small pieces (these can be large if you are using a food processor to combine) COMBINE IN A MIXER BOWL (OR FOOD PROCESSOR*): 

Cream cheese , chilies, olives, & cheeses (mixer on stir setting)  add chicken: mix until somewhat smooth  spread the mixture in a thin layer on the tortillas. *If you are using the food processor add chicken first then cheese, then other ingredients to keep them from getting too small) OPTIONS FOR BUILDING: • Roll the tortillas to enclose the filling.

• Cut tortilla rolls into ¼ inch slices serve as pinwheels or layer on a plate with spread on each level about tortillas each group (I do this with 3 tortillas per stack)

• Spread layer repeat the place tortilla on top

• Cut like a pie for wedges to serve Store in Ziplock without cutting until ready to serve. As an appetizer or with any traditional Mexican accompaniment such as guacamole, sour cream, or salsa My family loves these and I make a large bowl and leave it in the fridge for them to smear on tortilla when they want.

Silent Night - Marc's Music Notables

There are several variations on the story of the writing of this hymn, but they all center on the little Church of St. Nicholas in Obendorf, a village near Salzburg, Austria, on Christmas Eve, 1818—and they all recount a church organ that wouldn’t play and a priest who was determined not to let the broken organ spoil the Christmas Eve service.

In one telling of the story, a band of roving actors came to Obendorf with their Christmas play, which so inspired Fr. Joseph Mohr that he wrote this song. In another telling of the story, when Fr. Mohr discovered that the organ was broken, he remembered a poem that he had written two years earlier. He took the poem to the church organist, Franz Gruber, who set it to music.

But the story most frequently told has Fr. Mohr discovered that the organ was broken. Distraught over the possibility that the Christmas Eve service might be ruined, he sat down and quickly wrote these verses—and then took them to Franz Gruber, who composed the music.

At this point, the facts are lost in antiquity—and the variations all support a central theme of adversity and inspiration and determination to save the evening. From that point the stories merge into one. Fr. Mohr did write the words for this carol. Franz Gruber composed the music. It was first sung on Christmas Eve, 1818, in the Church of St. Nicholas in Obendorf, and the original accompaniment was a guitar. All the stories agree on those facts.

Later, when Karl Mauracher came to repair the organ, he heard the story and obtained a copy of the song. As he went about his business, he made the story and song known to other churches in the region. Then a family of glove makers— the Strasser family—came into possession of a copy of the song. As they traveled through the villages in the area selling their gloves, their children would sing songs to entertain passersby and to draw attention to their merchandise—and they added this song to their repertoire. They also sang the song at the Leipzig fair, which spread its fame further.

Then, in 1838, “Stille Nacht! Heilige Nacht!” was published in a German Catholic hymnal— and in 1839 the Rainers, another musical family from Austria, traveled to New York City, where they sang “Stille Nacht!” at Trinity Church—and German immigrants brought the song with them and sang it in their churches.

By the time of the Civil War, “Silent Night” had long since been translated into English, and was a Christmas favorite in both North and South. Today it is the best known and loved Christmas carol around the world.

Jesus is the Reason for the Season - Kayla's Korner

Luke 2:11 ESV 

“For unto you is born this day in the city of David a Savior, who is Christ the Lord.”

Christmas is always a great way to end our long hard working year and Sometimes we get so wrapped up in Christmas shopping, the Christmas movies, and making sure our children get to see Santa at the mall. All of that is fun! I enjoy gift giving, I love to see the reaction of others when they open the gift I got them, for me that is the best feeling in the world. 2021 has been another tough year, with all the COVID still going on, and now here we are in the holiday season and we just want to celebrate with our families. Every year, my family would make a cake for Jesus and we would all sing Happy birthday to Him. That was our way of remembering Him. This year, think of some ways you can remember the birth of Jesus and how you can share that with others during all the holiday festivities.  I hope you all have a wonderful and blessed Thanksgiving and Christmas!

Growing the Church - Reece's Peace's

Last month I was scheduled to speak at our prayer breakfast. Unfortunately, do the rising COVID cases, the breakfast was postponed until November.

However, I still want to give a little information about the breakfast topic to prepare you for the November breakfast.

Here are four basic questions about church growth:

Why should the church grow?

-        For the benefit of people not attending. Our church has something special and we need to invite people so they too can experience our church.

Who do we want to join?

-        The basic answer is anyone, but we are focusing on certain groups. The three groups that we're focused on growing are empty nesters or almost empty nesters, couples without children or with very young children, and retirees. We have the most ability to provide programming for these people and therefore can probably provide them the most benefit. However, they are by no means the only people we want to join.

How do we get new people to come?

-        It is a church-wide effort. It can't be something done by just staff or a select few members. It's something that we all need to come together to do. There are four main ways people can come to know our church. By a personal invitation, social media post, online search or research into our church, or by driving by. These four are in order from the most likely to succeed to the least likely to succeed. When personally invited, people are very likely to attend our church. Meanwhile, people who drive by often just drive by. However, they are also in order from most difficult to least difficult. It takes lots of effort to personally invite someone to come to our church while it takes no effort on our part for someone to drive by. The harder you work the greater the reward.

What do we do after they come?

-        It is important to not overwhelm visitors, but we also need to make them feel wanted. Be friendly but not overbearing. Most visitors arrive before church starts and leave immediately after, if not before it ends. When you see them it's important to ask them a few questions. Why are they here? Are they looking for a new church or are they just visiting the city? Invite them to fill out one of the visitor contact inserts and make sure you invite them to a fellowship event happening at the church later on.

The Story Behind the Hymn: ”Now Thank We All Our God” - Marc's Music Notables

Written by Alissa Davis is a Master of Sacred Music student at Perkins School of Theology, Southern Methodist University. She studies hymnology with Dr. C. Michael Hawn, University Distinguished Professor of Church Music, Perkins School of Theology.

For modern American Protestant churchgoers, the hymn “Now thank we all our God,” likely conjures up an image of a congregation singing in unison, a pipe organ blasting away at a stately tempo, and a church full of people thinking about the approaching feast of stuffed turkey with cranberry sauce. In order to understand where this hymn came from, I would like to offer a very different image: A minister and his family sing this hymn before dinner to thank God for the scraps of food they have on the table in their meager home in a desolate refugee city that is afflicted with famine and disease and war. Since the earliest projected date for this hymn is 1636 and the oldest known date is 1663, this hymn was certainly written during or soon after the Thirty Years’ War (1618-1648).

Martin Rinckart (1586-1649) was an accomplished musician who studied at the University of Leipzig and then spent most of his career as a musician and archdeacon in the city of Eilenburg during the Thirty Years’ War. British Hymnologist J.R. Watson accounts that as one of the last surviving ministers in the city, Rinckart had to stretch personal resources to take care of refugees and spend most of his time performing nearly fifty funerals per day at the height of the plague. This experience during the Thirty Years’ War had a profound impact on Rinckart’s poetry, just as it did for his hymn writer contemporaries. Lutheran scholar Carl Schalk observes that unlike the objective hymn texts of the Reformation period, the “cross and comfort” hymnody of the time reflected life situations of the people with greater metrical regularity, smoother language, and a theology relatable to everyday life.

The text of the first two stanzas are based on Sirach 50:22-24: “Now therefore bless ye the God of all, which only doeth wondrous things everywhere, which exalteth our days from the womb, and dealeth with us according to his mercy. He grants us joyfulness of heart, and that peace may be in our days in Israel forever (KJV).”

The first stanza is a depiction of a bounteous and gracious God who has blessed us and provided for us. The text is propelled forward by the phrases beginning with “who/whom” and ending in descriptors of God’s actions (anaphora):

who wondrous things has done, in whom this world rejoices; who from our mothers’ arms….

For someone in Rinckart’s dire situation, this expression of abundant gratitude might seem like hyperbole. If you don’t live in constant fear of starvation, the plague, and invading armies, you are already quite a bit more fortunate than he; and yet, he expands this description of God into the second stanza by bridging the two with similar ideas (anadiplosis) “countless gifts” at the end of the first stanza with a “bounteous God” at the beginning of stanza two.

The second stanza of the hymn moves to the future, praying for guidance and a continuation of thanks and praise:

O may this bounteous God through all our life be near us, with ever joyful hearts and blessed peace to cheer us; and keep us still in grace, and guide us when perplexed; and free us from all ills, in this world and the next.

The second stanza also employs the poetic device of anaphora by beginning each phrase with “and” in three successive phrases: “and keep us…,” “and guide us…,” “and free us….” The three verbs are arranged in an implied chronological order that leads up to the final phrase “this world and the next.”

The third and final stanza brings the hymn to a close by acting as a German Gloria Patri (Lesser Doxology), which offers praise to all Persons of the Trinity and acknowledges God’s eternal nature in the last line.

All praise and thanks to God the Father now be given; the Son, and him who reigns with them in highest heaven, the one eternal God, whom earth and heaven adore; for thus it was, is now, and shall be evermore.